The Problem With Transitioning Comics To The Big/Small Screens

I wanted to start off the year with a post related to something I have been thinking about for a long time; the problems with bringing comics to the big/small screen.  I will be the first one to admit that sometimes a comic will do better as a TV show or as a movie and vice versa, but there is a fine line about the distinction and I will explain.

WHEN IT WORKS BETTER AS A TV SHOW

Arrow and Flash

We have all seen the success of the CW “Arrowverse” and its related content; conversely, we have seen the success of the Marvel Netflix corner of the MCU. Both of these successful franchises have something in common, they’re grounded.  The CW started dabbling into the superhero genre with Smallville way back in 2001. It was the first widely successful superhero television show and ran for a full 10 seasons. The show centered around Clark Kent as he grew up in Smallville and his eventual move to Metropolis. The thing that made the show likeable was that we watched as Clark grew as a person and as a hero, he started as a young naive kid and ended the series as the Superman the world needed. One thing I will say about the show is that I felt it was about 3 seasons too long, and I know I for one was a little irate that he never flew until the last 5 minutes of the last episode.  I get that the show had budget restrictions but come on! It’s Superman!

Almost exactly a year after Smallville ended, a gritty new superhero drama graced our television screens, and that show was Arrow. Arrow went for a much more dark and gritty approach and knocked it out of the park. I know I was blown away with the show and never missed an episode until the dismal fourth season… ugh. But the show worked as a television serial because of the grounded and character driven plots, not to mention it wasn’t heavy reliant on CGI.  Netflix used this formula to create probably the greatest superhero TV shows to date. Within the Netflix universe you get Daredevil, Punisher, Jessica Jones, Luke Cage and Iron Fist; all these heroes are fairly grounded and don’t rely heavy on the crazy storytelling and plots that would require heavy CGI.

The “Arrowverse” has definitely branched out and included some more “out there shows” with the likes of Legends of Tomorrow and Supergirl. Don’t get me wrong, I enjoy the crossover episodes but they just don’t fit with the gritty world Arrow created. When the Flash first aired, it actually started by using a backdoor pilot in Arrow, and was an interesting contrast to the dark tone of the show. Much like the title characters of DC comics, Batman and Superman, Arrow and Flash are the exact opposites. Arrow is the dark and brooding drama; whereas Flash is the lighthearted fun serial with lots of bright colours and warm tones.

Runaways

With the sale of Fox to Disney, I am interested to see what will happen to all the new slew of X-Men related content now airing on television. I will not lie, I watched one episode of the Runaways and turned it off halfway through. It just wasn’t engaging and the rarity of a teenager using their powers? I know if I had powers as a teenager or even a dinosaur that responded to my mental commands… I would use that shit every chance I got! X-Men is one franchise that will not work well on TV just because the heroes and story arcs rely on heavy CGI. Badass ninjas and indestructible skin are easy to show on TV, shooting ice and fire from your hands or giant laser beams from your eyes… not so much. For a superhero show to be successful it needs to be grounded and character driven, which sadly most comics are not.

WHEN IT WORKS BETTER AS A MOVIE

CGI and team ups. Enough said.

Big budget movies can obviously have ridiculous amounts of awesome CGI and still pull it off. For the most part… Looking at you Justice League!

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Massive team ups also only work as a movie, unless you devote a solid series to each character first, then they CAN work. They won’t always work, but batting 80% is better than failing every time.

I just find that for the likes of Avengers, X-Men, and Justice League the characters are too big to have them just thrown in or put into a TV show. Smallville tried to put the Justice League and the Justice Society into the series and it worked… sort of. Each member of the their “league” was given at least one episode of introduction prior to the team up. The Justice society was jammed into a 2 episode arc that really only highlighted two, potentially 3 characters.  While the ending to the JSutice society arc did give us back Martian Manhunter and gave us Hawkman in a more permanent role, it wasn’t properly executed.

WHAT DOESN’T WORK FROM COMICS IN MOVIES & TV

Okay I will admit that there are some glaring issues with the MCU and the DCEU, everybody with me so far let’s move on…

The MCU is the unstoppable force behind all the modern connected universes, that being said, they tend to change a lot of things so that it will work with their overall narrative. The Infinity Stones are a prime example of Marvel studios changing their lore to work with their overall narrative. We all know there are 6 Infinity Gems (stones in the MCU), each representing a fundamental force that composed the universe. Originally called the Soul Gems until Infinity War when they were renamed the Infinity Gems, Thanos was the first to use all 6 in unison.  The thing that irks me is that they take other artifacts that are important from Marvel comics lore and make them Infinity Stones for the sake of the narrative.  The Tesseract is not the Space Stone, it is in fact closer to the cosmic cube which is responsible for Hydra Cap; Loki’s Scepter is not the Mind stone, and the Eye of Agamotto is not the time stone.

Apart from the renaming and branding of the Infinity Gems, one thing that MArvel does take a liberty with is changing their stories to work with the modern superhero/sci-fi framework, let me explain. Sci-fi stands for Science fiction, everybody knows that, so why do they remove sci-fi aspects from their movies? Let’s look at Age of Ultron

Age of Ultron

Avengers: Age of Ultron is a solid movie, not the best of the MCU but also not the worst. The thing is that Ultron is a recurring villain that the Avengers have never been able to defeat 100%. They always just BARELY beat him and then he shows up again later and better equipped. I understand that they needed to have his origin, growth and death all in one movie, but why choose that story to do? The real Age of Ultron story from the comic of the same name plays out completely differently than the movie. In the comic, Ultron confronts the Avengers and wins. Within the first 20 pages of the event, Ultron has beaten the Avengers.  He establishes a dystopian society which he rules from the future using Vision (his son) as a conduit. In order to win, Wolverine and Sue Storm make a desperate attempt to go back in time and kill Hank Pym the original creator of Ultron before he can develop the genocidal AI. Because time travel never goes the way it’s supposed to, the future ends up being worse with the Avengers being named the Defenders, and a massive war being waged by Tony and his tech/cybernetic empire against Morgan Le Fey and her magic kingdom. Wolverine and Sue Storm decide to go back in time and stop themselves from killing Pym by… killing themselves. This makes them a temporal paradox and because nobody likes that kind of stuff, they convince Pym to install a backdoor program in Ultron’s code before they use Dr. Doom’s time platform to return to their own time, thereby righting the paradox. Wolverine and Sue arrive at the beginning of the story when Ultron first defeats the Avengers. Before Ultron can finish the job, the subroutine installed by Pym in the paradoxal timeline runs causing Ultron to shut down momentarily allowing Thor the time he needs to smash Ultron to pieces.

For obvious reasons they couldn’t use the story because for one… Wolverine and Sue Storm were owned by Fox until several months ago. But this story is a prime example of one key component of comic book fiction that will never transfer well into movie form, time travel.

Time travel is something inherently accepted by the comic community as a regular occurrence in comics. When it occurs it never really throws anyone for the ringer. Most readers just say “oh, this is going to get good” and they continue reading. DC’s Flash is probably the most relevant case with this type of publication. I like the Flash but I don’t get to read a lot of his stories because Batman… and priorities. That being said most of his major events have revolved around him either travelling backwards or forwards in time and mucking something up.  Then he has to fix it before he can come back and grow a little bit as a character each time. Time travel just doesn’t transfer well into a movie, there are some exceptions (Looper), but for the most part it’s a type of Sci-Fi that works best in printed form.

Multiverse

Keeping the train moving on Sci-Fi concepts that work better in print than film, Alternate Realities. It is well established that everything that happens in comics takes place on one earth in the vast array of the multiverse. Both DC and Marvel utilize this concept and generate some pretty great stories with it. DC has made great stories like Crisis on Infinite Earth, Final Crisis, and Infinite Crisis. Marvel uses the multiverse a lot less liberally but still generates some great stories like the Hickman run on Avengers in the MarvelNow! printing, Secret Wars, and Battleworld. Alternate Realities is just something that can be accepted in comics, mainly because of the infinite possibilities and variations on heroes. Not only that but it allows for some possible evil versions of the heroes to come to the forefront as with DC’s Crime Syndicate of Earth-3. When making a film there are certain things that you have to take time to do, one of the big ones is explaining how the physics works in the world you’ve created. If you look at every successful Sci-Fi TV show they all explain how things are possible in their universe, from FTL travel to weapons and even biological life. Films can do this but they have to condense it way down into  a few minutes, which doesn’t allow for a lot of in depth explanation. For this reason most films have avoided the subject of alternate realities unless the entire premise of their plot is based on it, like The One from 2001.

With glaring plot hole abundant in their films, there are still just some things that comic fans will accept without a reason. When Flash was first published he was the “Fastest Man Alive” and nobody needed to know how it was possible. Over decades the story gets a little more clear and complex and now it’s common knowledge among many comic fans how Flash can move as fast as he does. The same can be said for Superman. Way back when Action Comics #1  was released and we saw a man who could lift a car, was bulletproof, and could fly; nobody needed an explanation as to why he could do it. Again, through several decades of continued story telling the picture has become a little clearer to the point where it is crystal.

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Movies and TV shows are a great medium to be able to tell comic book stories, and get those who might not be inclined to pick up the latest issue of Flash or Spider-Man interested in the character. Like I’ve said though there are just some things that will never transition well into a movie and a TV show and that’s okay. Alternate Timelines and Alternate Realities are confusing enough for the fans without butchering explanations and leaving giant earth sized plot holes. The second season of the Flash TV show explored the idea of the multiverse but they didn’t let the concept overwhelm the overall narrative of the show. They dabbled into the science but kept the focus on Barry and his team, allowing the viewer to fill in the blanks. For myself and many other this was not an issue when watching the show, but I do know there were several people who stopped watching due to the confusing nature of the season and its jumps from earth to earth.

Movies or TV shows,  it doesn’t matter to me how they do it, as long as they do the story justice and stay away from things that just should be better left on the pages of a comic book.

 

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Vengeance in White – Moon Knight

Since I started this blog 37 weeks ago, I have been holding back on writing about one of my favourite heroes and that would be Moon Knight. I know that I have already put out a post about how he should be the next hero included in the Marvel Netflix universe, but for those unfamiliar with the character I will give a quick rundown of the Avatar of Khonshu.

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BACKGROUND

Marc Spector was born in Chicago, Illinois to a rabbi and his wife. He was the oldest of two boys, his younger brother being Randall Spector (Shadow Knight). From a young age both the Spector children were fascinated with guns and warfare, something that didn’t sit well with their pacifist father. After butting heads with his father for much of his childhood and teenage years over the influence he was having on his younger brother at the age of 16 Marc left his home and enlisted in the Marines. During his tenure in the Marines he became a heavy-weight boxer and competed in several competitions winning the majority of them. It is revealed in the Shadowland arc that Marc’s father confronted him while Marc was training for a fight, and suffered a fatal heart attack while reaming Marc out for him being the cause that his little brother enlisted as well. He was recruited by the CIA to become a black ops operator right from the Marine corps, and he served with the CIA for many years before leaving to become a freelance mercenary.

During his extensive career as a mercenary, Spector met and befriended Henri “Frenchie” Duchamp. Henri was a french pilot who became fast friends with Marc and aided him for many years even during his superhero career.

Spector was hired by Raoul Bushman as part of his attack force on a mission in Egypt. While on mission the mercenaries stumbled onto an archaeological dig of the temple dedicated to Khonshu, the Egyptian God of the Moon and Vengeance, headed up by Dr. Peter Alraune and his daughter Marlene. When Bushman discovered the wealth stored in the tomb he resolved to take it for himself and started his acquisition by murdering Dr. Alraune and several of the workers. Disgusted by what he saw, Spector challenged Bushman to one on one combat. Bushman defeated Spector leaving him alone to die in the desert. Some of the workers who still worshiped the old Gods found Spector dying of his wounds in the desert and carried him to the feet of the Statue of the Moon God Khonshu. It was here in the temple he had fought and died to protect that Spector’s heart stopped. The God Khonshu appeared to Spector in a vision and told Spector that he would give him another chance if Spector agreed to become his avatar on Earth. Spector agreed. When he woke up, Spector grabbed the cloak that covered the statue and wrapped himself in it declaring himself the Avatar of Khonshu. He then confronted Bushman a second time and was victorious. With Bushman defeated Spector returned to America accompanied by Frenchie and Marlene and the statue of Khonshu from the temple.

He decided to become a crime fighter and created his superhero persona in the image of Khonshu. Donning the moniker of the “Fist of Khonshu” Spector became the Moon’s Knight. He created a silver coloured suit using the cloak that was draped around the statue as his cape and hood.

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When he returned to the U.S.A. Spector invested the money he had acquired over his mercenary career and amassed himself a small fortune. In order to keep up the appearance that he had died in Egypt, Spector crafted the alias Steven Grant millionaire entrepreneur, to help him purchase some high end real estate and infiltrate the upper class. In order to maintain contact with the street level crime he also developed the alias of Jake Lockley New York city cab driver. It was using the Lockley alias that he met allies such as Betrand Crawley, Gena Lander and her two sons.

Spector first appeared in the 1975 comic Werewolf by Night as the villain hunting down the title character for an organization called the Committee. He remained as an occasional villain until in  1976 when he was given his own Marvel Spotlight. In 1978 his origin was retconned so that his first appearance was a cover he used to take down the Committee.

SKILLS + WEAPONS

Marc Spector is just a man. A man who was given a second chance at life (and many subsequent chances) but still just a man. He is a formidable close quarters fighter being a champion level heavy-weight boxer. He is proficient with most firearms and is considered an expert marksman.

There was a brief period where he was bitten by the Werewolf and affected by the Lycanthropy sickness. He was given varying strength and speed powers based on the phases of the moon.

Moon Knight uses a variety of weapons ranging from truncheons, to crescent shaped throwing knives, staves, spiked brass knuckles, and various firearms. He at one point also created an armored version of his costume made out of Adamantium. he also has multiple Moon-copters which he uses during his patrols, and in more current issues a series of autonomous gliders and vehicles.

Moon Knight has also been stated to be the one hero that Taskmaster will not replicate because he would rather take a punch and keep the momentum and offensive, than block and lose his momentum.

DEFINING TRAITS

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One of the biggest things that Moon Knight is famous for is his fractured psyche. Due to his connection to Khonshu and his already unstable mind, Spector suffers from Multiple Personality Disorder (MPD). This has caused his mind to compartmentalize each of his identities in such a way that he can switch personalities and identities based on whatever the task at hand is. This has gotten him into some hot water over the years with his fellow Avengers, particularly the Pro-Registration faction during the Civil War story line. The sad thing is that Spector doesn’t see anythig as wrong and it’s only his friends and allies who are concerned for him in regards to his mental state, believing he could snap at any moment and become a major liability to the rest of the superhero community.

Apart from his MPD, Moon Knight is also known for wearing white. While his original costume was silver in colour, his more modern and most well known costume is white. Considering that he patrols at night the colour white is an odd, choice but there is a line that he delivers that explains why he wears white and it is as follows.

Moon Knight

Basically I think Moon Knight is a really great character who should get his time in the spotlight. I know that Marvel is planning on expanding the Netflix universe and adding a couple of new heroes and He would make the best addition!

I know this is a short post and looks unmistakably like an underrated Hero post… but i’m honestly just waiting until next week when I can do a review of Thor Ragnarok and all its glory!

Anyways that’s it for this week, see you all next week!

Most Underrated Heroes: Vol.2 – Red Hood

Time for volume 2 of the most underrated heroes! This months addition is none other than the anti-hero Red Hood.

For those unfamiliar with the Bat-family and the succession of Robins, Red Hood is the persona adopted by the second Robin, Jason Todd, after he was murdered by the Joker and subsequently resurrected. Red Hood is one of the title characters in Red Hood and the Outlaws and has held various titles throughout his comic publication.

HISTORY

The Pre-Crisis on Infinite Earths origin for Jason Todd is that he was son of Acrobats Joseph and Trina Todd who were killed during their show by Killer Croc. Jason had strawberry blond hair and was a basic carbon copy of Dick Grayson; even going so far as to wear different pieces of Dick’s old disguises before being presented with a Robin costume by Dick himself. Following the Crisis on Infinite Earths event DC Comics took this opportunity to re-write and re-brand large portions of their continuity to coincide with their new direction for publication. This new direction is where we get the origin for Jason that has been dubbed the “official” origin.

After Dick had become a fully fledged member of the Teen Titans and left Bruce to pursue leadership of that team full time, Batman was on his own. One night while on patrol in Park Row (Crime Alley), Batman was returning to the Batmobile and he discovered the wheels had been removed by a young boy who was attempting to steal them. Bruce sees that he is enrolled in a school for troubled boys which falls through, Bruce eventually adopts the boy and trains him as Robin after Jason helps him stop a gang of thieves. After six months of training and tutelage Jason is given his own Robin costume and begins his nightly patrols with Batman.

During the revamp period Todd was painted the outcast/rebel Robin. He defied authority, smoked, swore, and used excessive violence. There have been several instances where he defied Batman specifically: going after Scarecrow alone and bringing him in, jumping the gun on a botched drug ring raid, and the death of serial rapist Felipe Garzonas. Leading up to the death of Garzonas, Todd had been using increasing levels of force to one point where he breaks the arm of a pimp about to slash one of his working girls.

The death of Felipe Garzonas marks the point where Batman began to realize the mistake he had made with  Jason. Garzonas was a serial rapist who was protected legally by his father’s diplomatic immunity. When a young girl named Gloria hangs herself to avoid being raped a third time by Garzonas, Todd finds her body before Batman and makes a beeline for Garzonas. Todd chases Garzonas up onto the 22nd story of a building and Batman arrives in time to see Garzonas fall the 22 stories to his death, with Robin standing at the ledge. When confronted about it Todd says that he “…didn’t push him and that he must’ve spooked him and Garzonas slipped”, before Todd could catch him, he fell to his death.

 

DEATH

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The death of Jason Todd is one of the biggest events in all of Batman comics. Titled A Death in the Family the story follows Todd’s quest for the truth and his subsequent end at the hands of the Joker.  When Todd his side lined for excessive force and disobeying orders he leaves the Batcave to walk around his old neighbourhood. While on his walk he is flagged down by a woman who used to live beside him and his parents, she hands him a box of things and among them is his birth certificate. The certificate is badly damaged by the name of his mother begins with an “S” proving the woman he grew up calling mother was not his biological mother. Todd utilizes the Batcomputer along with an old address book of his father’s that was also in the box to narrow down the number of potential women to three. Jason then runs away to try and find his birth mother. After striking out with the first 2 women Batman finds Jason in Israel where they encounter the Joker who has been named a member of the Israeli government and now has diplomatic immunity. Jason then tracks the final woman, Shelia, to Ethiopia where she runs a clinic. Todd is overjoyed to have finally found his mother but his mother is being blackmailed by the Joker to provide him with medical supplies. It is later revealed that Todd’s mother was responsible for an illegal clinic and experimentation on young women in Gotham and fled to Ethiopia to avoid charges. She hands her son over to the Joker, in hopes of getting out from under his thumb. Joker ties up Shelia and forces her to watch as he beats Todd with a crowbar and leaves him within an inch of his life. Joker then ties up Todd and leaves him and his mother locked in a warehouse with a time bomb. They try to get out of the warehouse but remain trapped as the timer ticks down, in a final effort to save his mother, Jason leaps on the bomb to try and shield some of the blast with his body. Batman arrives too late to save them and Shelia dies in Batman’s arms after confessing what she had done. Batman buries Jason and keeps his uniform in a glass display case in the Batcave with an epitaph that reads “A Good Soldier”.

 

RESURRECTION

Jason remained dead for quite a few years, long enough for Tim Drake to assume the mantle of Robin. In main comic continuity his resurrection is a little odd. Basically, Superboy Prime was trapped in the paradise dimension (a dimension that borders our own). In an attempt to break through to our own dimension he repeatedly punched on the barrier blocking his way, this in turn created temporal ripples. One of these such ripples was responsible for the resurrection of Jason Todd. Todd breaks out of his coffin and wanders away from the site, he is taken to a hospital when he is discovered wandering the streets, but no connection was made that he was Jason Todd. He spent the better part of a year as a wandering amnesiac vagrant on the streets of Gotham, he was recognized for his fighting style by a street crook and the information made it’s way to Talia Al’Ghul and she swept him up and took him away. She further trained him while the League of Assassins swiftly eliminated anyone in Gotham who knew of his resurrection. Talia put him in the Lazarus pit to attempt to restore his memories, but he emerged broken and mentally unstable. He fled the League and used what funds he had secured from Talia to hook up with a Mercenary group on their way to Gotham.

In the Under the Red Hood movie the resurrection story is slightly different with Ra’as Al Ghul hiring Joker to help him in a plot. Joker goes off book and kidnaps Robin and murders him by beating him with a crowbar and them blowing him up. Ra’as then swaps out Jason’s real body at the Sarajevo morgue for a mannequin and revives Todd using the Lazarus pit. Todd kills 2 members of the League before fleeing into the night not to be seen again until he emerged in Gotham as the Red Hood.

RETURN TO GOTHAM

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After having trained for several years in various deathly arts, Red Hood plans his return to Gotham. During Hush Todd collaborates with Riddler and Hush to battle Batman. He confirms for Riddler that Bruce Wayne is indeed Batman and initially confronts Batman at his grave site during the climatic final battle of the run. He swaps out with Clayface and observes Batman from afar, when Bruce shows no regret with him sparing Joker’s life after he killed Jason, Todd is severely angered and resolves to kill Bruce. Talia then gifts him with a flame knife and his iconic red helmet.

In the Under the Red Hood story line, Jason returns under the persona of Red Hood and begins taking control over the gangs of Gotham and going to War with Black Mask. In an effort to even the odds, Mask unleashes the Joker from Arkham. Todd kidnaps the Joker and proceeds to beat him with a crowbar mirroring the way Joker had tortured him before he was murdered. In the climatic showdown with Batman and the Joker, Jason confesses to Bruce that he forgives him for not saving him, but doesn’t understand why Bruce let the Joker live. Jason tries to force Bruce to either kill him or the Joker, but Bruce saves them all and Jason disappears after that, again.

Since  his return to Gotham Jason has gone on the hold every title of the Bat-family, including Nightwing, Red Robin and Batman.

Battle for the Cowl pitted Jason Todd Batman against Tim Drake Batman and Dick Grayson Batman for the title of the one true Batman.

POWERS AND ABILITIES

Jason was trained at a young age to become Robin; as such he is an Olympic level athlete with stealth training and extensive combat training.

He was further trained by the League of Assassins as well as the All-Caste which is an organization older than the League of Assassins which trained Ra’as Al Ghul.

He is proficient with all firearms as well as most high tech weaponry and gadgets.

For all of his training Jason Todd is still just a man, a slightly unhinged and deranged man, but a man just the same.

REASONS HE IS UNDERRATED

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Red Hood is one of the few examples of characters who are too human to the point they’re no longer fictitious. If presented with the same situation most people would do the exact same thing, try and get revenge on the person who killed them and the person who they trusted to save them. I don’t mean that everyone is a vengeful, angry sociopath; but there is no denying that it is human nature to want revenge on someone that has wronged you.  As a character Jason tends to be lumped in as one of the failed sidekicks who never really amounted to anything like Garth or Speedy. I think he has a lot to offer and in the New 52 and Rebirth they have done some great arcs involving him and the rest of the Outlaws. I mean he was the Leader of the League of Assassins at one point, that takes some serious skill! Not only has he also battle Batman to a stalemate but he has done the same with Deathstroke and Ra’as Al Ghul!

Also Jason is the perfect example of a redemption story, they’ve already toyed with him and Bruce reconciling their differences for that only to have been a ruse so Bruce could bring back Damian… I like most of the Robins even the ones that are a little different, but Damian is just annoying. He needs to be taken down a peg… again. I think that Jason should be used more as someone trying to do the right thing but always having this voice in the back of their head saying it’s not enough, that he wants to be a good person but he keeps falling back into his old ways. The sad thing about Jason is that most of the rest of the Bat-Family forgive him and understand why he does what he does; but Bruce can’t seem to see it, or even if he does, he doesn’t want to deal with it.

Jason Todd is one of the characters that I think make for a very compelling story, no matter what he does, he always adds his own touch to it and that makes it awesome. I want to see him take a more active role in Rebirth and the Bat-Family as a whole!

The Thunderbolts – Underrated and Underappreciated

I wanted to take today to talk about one my favourite teams to ever come out of the Marvel comic universe and that would be the Thunderbolts. Most people aren’t very familiar with them if at all, and those that are familiar tend to view them as Marvel’s Suicide Squad.  While the Suicide Squad did come first by quite a few years, the Thunderbolts have been right smack in the middle of some of the Marvel comic universe’s biggest events and played a big part in the original Civil War.

The Marvel Thunderbolts is a team made up (originally) of Super Villains that masqueraded as heroes and fooled the world into believing they were heroes. It was revealed in the final page of Incredible Hulk #449 from January 1997, that they were a team of villains (the Masters of Evil) led by Baron Zemo.  Throughout their early publication the team became more and more heroic to the point where they ousted their leader Zemo and became heroes in their own right. Eventually Hawkeye led the team and continued to do so for many years. The team went through many re-launches and revamps through their short publication history until Warren Ellis took over the title making the team a black ops government sanctioned team that was tasked with rounding up fugitive superheroes during Civil War. This was by far the most successful run of the team and they even appeared in several tie in runs with Secret Invasion. The team was revamped during the MarvelNow! publications to operate as singular unit functioning outside the law and government sanction.

The team has gone through so many incarnations and revamps that it would take forever to list the teams and their respective rosters. That being said the following three rosters are the most popular from their publication history and have been present for some of the biggest events in Marvel Comic history.

#1 – Zemo and his Thunderbolts

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This first incarnation of the team as stated before were the Masters of Evil masquerading as heroes after many of the heroes had been killed by the Onslaught event.  This team consisted of: Baron Zemo, Goliath, Beetle, Fixer, Moonstone, and Screaming Mimi. As previously stated during their first foray into production, the team donned heroic personas to act as heroes after Onslaught had killed most of the main continuity heroes. The heroic personas they took were as follows:

Baron Zemo – Citizen V

Goliath – Atlas

Beetle – MACH-1

Fixer -Techno

Moonstone –  Kept her name

Screaming Mimi – Songbird

The team’s first mission was to rescue Goliath and kill the Avengers, obviously with the Avengers having been killed by Onslaught the team decided to fill the void left, learn the secrets of the Avengers and SHIELD and sell the secrets to the Criminal underworld.

#2 – Osborn’s Thunderbolts

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The next most popular incarnation of the team is the one that came to popularity immediately after the events of Civil War. This team was led my Norman Osborn and served as the first step to him eventually being named director of SHIELD ( which he renamed HAMMER) and his Dark Avengers. Osborn assumed control over the team and began hunting down the remaining fugitive heroes who avoided the Superhuman Registration Act. One of the heroes that they attempted to take down after he killed Black Knight at a Pro- Registration rally to save the innocent people attending (more on that in a later post) was Moon Knight; at that point the team was made up of the following members:

Norman Osborn (Green Goblin) – Leader

Moonstone – Field Leader

Bullseye

Penance – Speedball from the new Warriors who caused the Civil War

Radioactive Man

Songbird

Swordsman

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This is arguable the most popular incarnation after the team. I say arguably because the original team led by Zemo was fairly popular and their reveal of who they really are is #11 on the Greatest Comic Moments Ever. 

This team went on to repel the Skrull invasion on Washington D.C. during Secret Invasion and was played up to have had a much larger impact on the outcome of the invasion by Osborn. After Secret Invasion the team wen through a few more line-up changes most notably when Luke Cage handpicked the new Thunderbolts from Raft prisoners and became their field leader.

#3 – Red Hulk and the Thunderbolts

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The third most popular team comes from the MarvelNow! run which was a complete revamp of the team and was made up of anti-heroes and a few villains. The team was recruited by Red Hulk and their mission were decided at a turn by turn basis. Each member put their names in a hat and General Ross (Red Hulk) would draw one name out, whoever he drew got to pick the mission and nobody could complain or say otherwise. Once your mission was done your name was left out of the next draw until everyone had a chance to pick a mission and then everyone’s names went back in. The system worked for the entire run with only a few minor hiccups. This team consisted of:

Red Hulk

Punisher

Deadpool

Elektra

Agent Venom

The Leader – After the first issue

Abigail Mercy – Midway through the run

 

Eventually during their run Ghost Rider (Johnny Blaze) would join the team and assist them in some supernatural missions as well as testing their security. One such example was when the team tested if they could take down the Venom symbiote should it become unattached from Flash Thompson (Agent Venom). The battle was a little bit of a one sided event with the symbiote dominating until the Leader stepped in and subdued it. Punisher eventually quits the team and is almost killed by a bomb that was placed in one of his hideouts, in retaliation he goes after the Thunderbolts and takes them down 1 by 1.  The run ends with Ross disbanding the team once the true culprit behind the attempted murder of Frank is revealed.

 

The Thunderbolts are one of my favourite teams of all time and I will admit that while I do enjoy the Suicide Squad the Thunderbolts still rank higher in my opinion. The Squad is great and their chemistry is apparent (sometimes) but the Thunderbolts just have that redemption quality that makes you want to believe in them. They started off being heroes in disguise and liked it so much they kicked out their Super Villain leader to be heroes full time, if that doesn’t just warm your heart than nothing will. Not only are most members great redemption stories, they also battle a lot of personal demons and do a lot of growth in the limited number of issues in each run. My favourite  incarnation of the team is probably the Red Hulk’s but that’s because of Deadpool, Punisher and Agent Venom, not to mention GHOST RIDER!!!! I will admit that I haven’t picked up any of the newest incarnation from the All New All Different Marvel, but I have read that Winter Soldier is the new leader of the team, so that can only be a good thing.

 

 

Spawn – Image Comic’s Crown Jewel

As an avid reader of both DC and Marvel comics there tend to be some smaller comic companies that get lost in the bluster of weekly issues and mega blockbuster movies, one of these such companies is Image Comics.  Image Comics was founded in 1992 by several freelance artists who worked for both DC and Marvel drawing comics as needed, one such artist was Todd McFarlane. Todd had just come off an amazing run at Spider-Man and was one of the eight founders of Image Comics.

When McFarlane moved to Image, he decided to create an all new character that he could call his own and has become one of the flagship properties of Image Comics, Spawn.  Spawn has received 1 major motion picture starring Michael Jai White as the titular hero, as well as a very successful HBO cartoon series with Keith David delivering his voice to the main character.  Spawn has also had several cross overs with many different heroes most notably Batman. Spawn has quite the extensive back story and has had quite a large fan base since his first issue rolled out in May of 1992.

 

ORIGIN

Spawn is the alter-ego of Albert Francis “Al” Simmons, a retired Force Recon marine and assassin. After saving the President from an assassination he was recruited into the CIA to conduct black ops missions and assassinations. Through an extensive career Simmons wracked up a considerable kill count, not all of which were intended targets. There were quite a few collateral damage kills which weighed on his conscience and caused him to question the morality of the agency he worked for.  Jason Wynn who was the individual who oversaw the missions Simmons was conducting noticed his lack of devotion to the agency and hired his friend and partner Bruce Stinson (aka Chapel) to kill Simmons. In what can only be dubbed as a “blazing inferno” Chapel killed Simmons, and Al’s soul was sent to hell. Simmons was cast at the feet of the demon known as Malebolgia, where he sold his soul so that he could see Wanda again. Malebolgia accepted his offer and returned him to Earth. In the time between when Al was killed and resurrected, five years had passed. When he awoke on Earth he was a deformed demonic creature (a Hellspawn) with very few memories of his past life. When he finally regained his memories he sought out Wanda. When he found her he discovered Wanda had moved on with her life, marrying his best friend Terry Fitzgerald and they had a daughter named Cyan. After this the Violator shows up and taunts Spawn. The two of them fight but their battle is interrupted by Malebolgia. Spawn takes to “Rat City” a series of alleys were bums and homeless live and quickly becomes their protector and eventual king. It’s in Rat City where he meets Cogliostro (a former Hellspawn) who becomes his mentor. Spawn becomes a brutal anti-hero and warrior for the people of Rat City, he solidifies his dark anti-hero status when he brutally murders a pedophile and child murderer named Billy Kincaid.

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Powers and Abilities

Al Simmons is an Olympic level athlete, fluent in 10 languages, expert with fire arms, and master of 13 known martial arts.

Spawn is bonded with a symbiotic suit called Leetha of the 7th House of K (K7-Leetha). The suit is bonded to his central nervous system and will defend him even while he is unconscious.

This is where it gets a little weird so bear with me…

So Spawn is just one of a long lineage of Hellspawn. Hellspawn are officer’s in Hell’s army and double as hit-men for the supreme demon Malebolgia. Each Hellspawn is given a certain amount of Necroplasm (the green goo from the comics). The Necroplasm is used when the Hellspawn uses it to regenerate wounds, create constructs out of his cape, create his chains and spikes, etc.

Al Simmons weighs roughly 450 lbs as Spawn and almost all of his body is composed of Necroplasm.  The true power of the suit is taken from the necroplasm that composes of Al’s body, though he can take it back to power constructs he needs in battle. His suit can also feed on the evil energy from the physical world. This included the ambient evil of people, insects, animals and even some areas of cities like Detroit, New York and LA.  The Suit itself can be changed based on the task at hand. It can manifest spikes, armour plating, or even change his shroud (cape) into an offensive weapon such as a battle axe or sword. The shroud itself is a very capable offensive weapon able to strike quickly in combat and has been known to sever limbs and generate various hooks and blades as needed.

Spawn also has vast magical powers. These powers are related to the necroplasm level the Hellspawn currently possesses and is presented to the reader by a gauge that read 9:9:9:9 when the comic started. Each time Spawn uses some of his energy this counter will drain. Because of this Spawn relies on his suit as well as physical weapons such as firearms in combat rather than magic.  The limit of Spawns magical abilities is much like the Green Lantern from DC comics, it is basically limited by the user’s imagination. These are some of the powers he has exhibited throughout his publication: resurrecting the dead, firing blasts of necroplasm energy, teleportation, firebreathing, transmutation, elemental manipulation, shapeshifting, flight, animal communication, mind reading, invisibility, portal creation, time manipulation, soul manipulation, reality warping, regeneration, curing the sick, and feeding off the evil energy of others to restore his necroplasm counter and strength.

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The only way to kill Spawn is by beheading or similar trauma to the head (ex. gunshot). Spawn also loses his power in a small patch of alley called “The Dead’s Zone” which is an extension of Heaven’s domain.

AMAZING FEATS

Malebolgia released a very powerful God named Urizen to wage war on Heaven and conquer their domain. Spawn used power obtained in the Greenworld ( a place that’s power is equal to that of Heaven and Hell) to stop Urizen and swallow him imprisoning him. Spawn teamed up with Angela a warrior of Heaven; and took the fight to Malebolgia in Hell once Spawn discovered Malebolgia was behind the whole thing. After mortally wounding Malebolgia in their battle Angela was cut down. Enraged at the death of Angela, Spawn took Malebolgia’s head. Upon killing Malebolgia Spawn is informed by a demon named Mammon, that Hell’s throne is now his.

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When Spawn was cast down and killed and then resurrected (a never ending cycle apparently?) he awoke to find Armageddon was beginning. He was informed by the Mother (an omnipotent being and mother God and Satan) that Spawn could not stop Armageddon but could ascend to Godhood and preserve the Human race. In order to do so Spawn must defeat the 12 Disciples (Guardians of Heaven’s domain against the Hellspawn) and eat fruit from the forbidden garden. With the help of Cyan he is able to defeat all the Disciples but the last and most powerful (Judas). Spawn is stabbed in the heart by Judas and the mother resurrects him and presents him with fruit from the garden. Spawn returns to the Earth with his new immense power to discover the world is ravaged by the 4 horsemen and humanity is dead. Spawn fights the armies of both Heaven and Hell alone and vanquishes them, when God and Satan turn their attention to him he is slain and the two of them continue their battle. Spawn is resurrected by the mother and he resurrects everyone on the planet with their memories of what happened intact. He banished Satan and God to fight on their own little world where they couldn’t harm anyone and shut the doors of Heaven, Hell and Earth.

CONCLUSION

Spawn is quite an extensive character with many similarities to other properties from DC and Marvel such as Ghost Rider and El Diablo. The thing that makes spawn so different is that his story is tragic, he fights because it’s all he’s ever known and because he is compelled to do it. Spawn relies heavily on Christian mythology as well and mysticism to deliver a compelling story about a man trapped within his own destiny. Image comics has had several successful titles since their founding like: Savage Dragon, Witchblade, The Darkness and the Walking Dead; but very few people know of this company and the great stories they put out. Regardless of what comic series they put out, Spawn will always be their best contribution to the comic community.

Most Underrated Heroes: Vol. 1 – Ghost Rider

I’ve decided to add a segment to my blog wherein once a month I will outline a hero that I believe to be woefully underrated by most people. These are my own personal opinions and don’t reflect on any of the companies in one way or another. I had to restrain myself from talking about Moon Knight first because it would more than likely become an angry rant at the Marvel Netflix universe for not including him (yet… I have hopes!).

The first hero that I have chosen to talk about is none other than the spirit of Vengeance himself, Ghost Rider.

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The first Ghost Rider in publication, not in Marvel history, is stunt motorcyclist Johnny Blaze. Blaze is arguably the best known Ghost Rider right behind Danny Ketch and now Robbie Reyes.  Blaze was portrayed by Nicholas Cage in the 2007 film titled Ghost Rider and in the 2012 sequel Ghost Rider: Spirit of Vengeance. I will be the first one to say those movies are terrible, absolutely horrible. But because of my love for ‘ol Flamehead, I watch them over and over again. Recently in Agents of SHIELD Robbie Reyes Ghost Rider appeared as an antagonist and then ally of the team. Let’s start off with a little bit of background on the character.

BACKGROUND

Blaze was a stunt motorcyclist with his father in the Quentin Carnival alongside Craig “Crash” Simpson. His mother walked out on his father when Johnny was young taking his two other siblings Danny and Barbara with her. Johnny’s father was killed in a stunt and he was adopted by Crash Simpson and his wife Mona. The Simpson’s fabricated a story as to help shield him the pain of coming from a broken family. Johnny and the Simpson’s daughter Roxanne grew close as kids and as they grew older their friendship turned to romance. The Simpson’s began their own stunt show of which Johnny was a part, when Johnny found out Crash had life threatening cancer he was devastated. Johnny turned to the occult in an effort to save Crash. One night Johnny recited a spell and summoned who he thought was the devil, really it was the arch demon Mephistocles (Mephisto). Johnny sold his soul to Mephisto in an effort to stop Crash dying of cancer. Crash awoke the next day cured of cancer, but he died performing in the stunt show a few days later. Johnny confronted Mephisto and declared that he had cheated him. Mephisto said he had stopped him dying of cancer, not dying any other way and thus the deal stood. Roxanne arrived in time to save Johnny’s soul by declaring her love for him which drove Mephisto away. Mephisto, out of rage of not being able to collect Blaze’s soul because of Roxanne’s love, bonded Johnny’s soul with the demon Zarathos making him the Ghost Rider. A leather clad being that controlled Hellfire to punish at Mephisto’s bidding, but due to the fact that he still retained his soul, Blaze would also help the innocent whenever he could.

POWERS & ABILITIES

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In addition to controlling Hellfire and being impervious to damage as Ghost Rider, Blaze also has the ability to control hell chains with his mind. He utilizes a shotgun imbued with Hell energy to fire mystic blasts at his foes that can incinerate instantly. He is strong enough to be able to fight toe to toe with Green Scar Hulk (World War Hulk), and uses the penance stare. The penance Stare is a Ghost Rider’s most powerful weapon. When using the penance stare the Ghost Rider can force you to feel the pain of all the hurt you caused to other and burn your soul inside your body. If you have dealt enough pain to others than the penance stare will fry your whole body from the inside out. There are very few people in the Marvel Universe that the penance stare doesn’t work on, those being Punisher, Deadpool, Venom and Mr. Hyde. Punisher doesn’t regret any of his kills, Deadpool’s biggest victim is himself, Venom is immune from the symbiote and Mr. Hyde is immune because of his transformation.  In addition to controlling hell chains with his mind Ghost Rider also keeps a length of chain which he can use as a whip or he ignites it on fire and can spin it fast enough to create a flame vortex.

FEATS

Ghost Rider has performed many great feats over his long career in publication. Due to the nature of the character they haven’t always been Johnny Blaze Ghost Rider, but for the most part they have been. One of the best feats he accomplished was during the World War hulk story arc.

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During World War Hulk the Green Goliath returned to Earth rather pissed after having been banished to a distant planet by the Illuminati. The Illuminati are a secret group of the greatest minds in the Marvel Universe (Iron Man, Mr. Fantastic, Dr. Strange, Charles Xavier, etc). The save the Earth from having to deal with another Hulk catastrophe the Illuminati tricked Bruce Banner onto a satellite and then launched him into deep space.  Hulk crash landed on the planet Sakaar and fought in the gladiatorial ring until he eventually was crowned king. He ventured back to Earth pissed off and ready to make the Illuminati pay for what they had done to him. Hulk had claimed a battleground in downtown New York where he waited for the group to show. Ghost Rider was hunting down pieces of Lucifer that he had inadvertently let loose from hell. He encountered the Hulk and they began to fight, a very destructive fight through the NY battleground. Hulk punched Ghost Rider through several buildings and dropped another one on top of him. Ghost Rider then grappled on hulks back and nearly choked him out with his hell chain. The fight ended in a stalemate when Ghost Rider attempted to use his penance stare and was shown that the Hulk was the victim and the Illuminati were the guilty ones.

In the early 90’s Fantastic Four cartoon there was an episode where Galactus attacked the earth. The Fantastic Four had tried everything they could to stop him but nothing was working. The Fantastic Four had run out of options and were trying to think of a plan to get rid of Galactus. In rides Ghost Rider, and tells the Fantastic Four that he will help. He rides up Galactus’ body and delivers the penance stare right to him. Galactus being a world eater, had consumed a lot of people and had a lot of guilt and pain stored up. This act was enough to banish Galactus at least for the time being while he healed from his wounds.

Circling back to why Ghost Rider ran into the Hulk in World War Hulk, he was in the process of hunting down and killing Lucifer.  Long story short is that Satan had trapped Ghost Rider in Hell (go figure!). Lucifer disguised himself as a worm helping Johnny to break the barrier between Hell and the normal world. When Johnny broke through Lucifer split into 666 pieces and fell to the Earth. Each piece took on a persona/possessed someone and began wreaking havoc.  Angels were dispatched to help Johnny but slowly one by one, Johnny killed all the pieces of Lucifer until only 1 remained. The trick was that with each piece Johnny killed the remaining pieces would get stronger. The two Angels that were sent to help Johnny ended up sacrificing themselves to provide Ghost Rider with the power he needed to destroy Lucifer and banish him back to hell.

REASONS HE IS UNDERRATED

There really is no definitive answer here besides the fact that he is a dark character. When people think of Marvel comics they think of Iron Man, Spider-Man, Captain America, X-Men, etc; all very colourful and for the most part family friendly characters. Ghost Rider isn’t a hero, he’s an anti-hero; one of those guys like Deadpool, and Punisher and Wolverine who are willing to kill to make sure their mission is accomplished. Not only that but once a Rider uses the penance stare there is no going back. it will inflict the maximum amount of damage to you that you deserve. There is no settings knob on the penance stare just like there is no setting knob on Ghost Rider’s morality. Ghost Rider like Punisher is very black and white, they both punish evil doers. Will they kill you for stealing a candy bar from a convenience store? absolutely not. Will they put the fear of God in you? absolutely.  The rider knows when it’s true evil like a serial killer or just minor evil like a vandal spray painting a building, and can adjust accordingly.

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Ghost Rider has a high kill count, not as high as say Deadpool or Wolverine, but he definitely is not a nice guy. Ghost Rider is very much a character aimed at an older audience. The humour and content of the Ghost rider comics tends to lean towards a mature audience and some of the content can be rather gruesome. In the family friendly MCU there really isn’t a place for someone like Ghost Rider. The Netflix universe however… that’s a whole different story, but in all fairness he wouldn’t be my first choice for that… my first choice would wear more white.

 

 

Anti-Heroes: More Realistic Than Classic Superheroes

Superheroes provide hope, an idea to strive towards. They’re someone you can always look up to and can trust that no matter what is facing them, they will do the right thing. This is an admirable stance to take, even if it’s not very realistic. Finding someone who is good for the sake of being good is a one in a million chance. Most people like to think that they are good at heart, but when the chips are down and their back is against the wall they will do whatever it takes to win, even if it is sometimes a very morally grey act. I’m not trying to say that I think people are evil, they’re not. People are just people and each person has a breaking point. A point where self preservation takes the driver’s seat and everything else takes a side seat. Some people can reach this point very quickly, while others take quite some time to get there.

If any of you have seen the movie American Sniper, you’re probably familiar with the little speech Chris’ father gives him after saving his brother from a bully. “There are 3 kinds of people in this world, there’s wolves, sheep, and sheep dogs. Wolves try to hurt the sheep and it’s the sheep dogs job to protect them, so are you a wolf or a sheep dog?” I’m paraphrasing the speech, but that’s what it boils down to. This little tid bit is actually taken from a book by LTC retired Dave Grossman titled “On Killing”, the books is quite extensive and dives deeper into the comparison of sheep, wolves and sheep dogs. There is also a quote from Heraclitus that goes like this…

“Out of every one hundred men, ten shouldn’t even be there, eighty are just targets, nine are the real fighters, and we are lucky to have them, for they make the battle. Ah, but the one, one is a warrior, and he will bring the others back”

To bring this back to my main point if Superheroes are the sheep dogs then anti-heroes are like wild dogs. They may attack the sheep on occasion but for the most part they only go after the wolves. There are quite a few heroes that fall into both categories (Wolverine, Ghost Rider, Arsenal), there are also quite a few that stay far past the line (Punisher, Grifter, Deadpool, Red Hood). While superheroes tend to have tragic backstories, anti-heroes tend to have a backstory so caked in violence and blood that it’s amazing they didn’t turn into a villain themselves. Three of my favourite anti-heroes are Deadpool, Red Hood, and Punisher, because of everything that happened to them they still somehow come through in the end (even if just barely).

One of the defining traits that all anti-heroes seem to possess is the innate knowledge that no matter how hard you try, you can’t save everyone every time. This also goes hand in hand with the belief that sometimes in order to save someone you need to use lethal force. One of my favourite lines comes from MarvelNow! Punisher: War Zone, wherein Frank Castle (Punisher) has pissed off the Avengers for the last time. Before the final showdown with the Avengers, Wolverine is approached by Captain America. Cap basically tells Wolverine that because of his close relationship with Frank that he will have to sit this one out. They banter back and forth and the final line comes from Wolverine when he says ” The difference between guys like us and guys like you Cap… is that we understand sometimes… people have to die”. This one line perfectly illustrates what makes anti-heroes so much more relatable than clean cut superheroes, they understand that some people are just bad and they will continue to be bad until they are stopped.

Batman once said “If you kill a killer , the number of killers in this world remains the same”.  While this philosophy might work for Batman and potentially other heroes like him (Superman, Flash, Captain America, Spider-Man, etc) one has to ask how many people died because they refused to do what was necessary. There is a quote from Wonder Woman on her New 52 run that goes like this ” There’s a reason why I don’t have a list of enemies as long as yours, or Bruce’s or even Barry’s, because when i deal with them.. I DEAL with them”. Wonder Woman is one of the few clean cut superheroes who takes lives, but she also doesn’t do it willy nilly. She heavily weighs the cost of her actions against whether or not it’s for the greater good. If the greater good wins she acts, there have been a few exceptions (Maxwell Lord pre Infinite Crisis) for example, where her emotions got the better of her, but they are few and far between.

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One of the questions I get asked quite a bit when explaining comics to people is “Why doesn’t Batman just kill the Joker?”. Without going into a HUGE debate on the psychology of the two of them there really is no right answer. Batman doesn’t kill the Joker because then Joker wins, but Joker won’t stop until Batman kills him, it’s a catch 22. The animated film Under the Red Hood actually introduced a lot of people to the Red Hood for the first time. Jason Todd (Robin #2) was beat with a crowbar to near death and then blown up by the Joker. Feeling guilty for having brought Joker into it, Ra’as Al Ghul revived Jason using a Lazarus Pit. Jason came back but was pretty insane and fled for several years. He begins taking over the Gotham underworld until the final confrontation with Batman and the Joker. The final confrontation has a particular line that hits the issue to the core ” Why is he still alive? Ignoring the friends he’s crippled the graveyards he’s filled…”; Jason delivers that line while pointing at the Joker. Batman tells him that if he kills the Joker he will never stop killing. This is what draws me to Batman as much as other characters like Punisher and Ghost Rider, he is a Superhero, but he is barely past the line between anti-hero and superhero and on several occasions he has crossed that line.

The 2008 film Punisher: War Zone showed us just how gritty and brutal a Punisher film could be if done right. I stand by Thomas Jane and the 2004 film with John Travolta, but Ray Stevenson just looked the part. It also brought a great line from a police detective who tried to “stop” the Punisher. When talking with Detective Soap, he basically says that the reason the Punisher hasn’t been caught is because the police don’t want him to be caught. He gets to do to those guys (mob families and criminals) what cops only dream of getting to do. While this train of thought might extend to superheroes as well normally the police forces of the comic worlds are stuck behind red tape and can’t act on someone they know is guilty. anti-heroes don’t care. They will find out if you’re guilty and they will make you pay.

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I realize it seems like I’m saying anti-heroes don’t have a conscience, but that is very wrong. while some like Punisher and Red Hood have become so jaded they no longer care, some like Deadpool use humour to cover up their true feelings, and sometimes they don’t cover them at all. In Deadpool’s brief stint on the X-Force he quickly came to butt heads with Wolverine. They were tasked with killing the reincarnated Apocalypse, the only problem was that he was reincarnated into a kid named Evan who was still in primary school. Wade immediately objected and voiced his objections, Wolverine and the rest of X-Force knew what a full grown Apocalypse could do and were resigned to killing Evan. Wolverine and Deadpool had some words and Wolverine called Deadpool “…a soulless, spineless, money grubbing mercenary”; as Wade turned to walk away he responded with ” Ya. But I never killed a kid”. This altercation caused Fantomex to regret his decision and clone Evan (it’s get weird just go with it) and teach Evan right from wrong enough to get Evan enlisted in Xavier’s school for Gifted Youngsters.

Superheroes come in all shapes, sizes and abilities; they can be star spangled awesome like Captain America, the big blue boy scout like Superman, or a tortured human like Batman. No matter who they are, superheroes give us something to strive toward. They provide us with a direction to orient ourselves towards, a light to find our way in the darkness. But sometimes the darkness is fought with darkness, while superheroes are the light, anti-heroes are the shade. The grey area between the darkness and the light, not fully dark themselves but not fully light either. They’re willing to plunge their hands in the filth so that others can keep their clean. While most of us strive to be an incorruptible and perfect hero we know that sometimes we’re not perfect. We can’t all be sheep dogs after all, but we’ll be damned if we’re going to become wolves.