Movie Reboots – Hollywood Needs New Ideas

Hollywood has run out of ideas, it’s no big secret. Gone are the days of inventive new passion projects and now we are in the age of blockbusters. Whether it’s giant robots, epic space operas or one of a dozen superhero films to come out in a year, they are all massive blockbuster events. To compliment this massive blockbuster trend, studios are now doing something even worse, the diverse reboot of a beloved movie/the sequel to an 80’s film that’s 20-30 years too late. The worst thing is that these reboots rarely work, The Mummy, Ghostbusters, Indiana Jones and the Kingdom of the Crystal Skull, Terminator Salvation, Superman Returns, Ocean’s 8, What Men Want and now Hellboy (2019); these are all attempted reboots and/diversification recasts of classic films that flopped. There are plenty more examples but these one are the most prominent in my mind, well those and Josh Trank’s Fant4stic… ugh. This week I’m going to look at some failed reboots and Hollywood’s incessant need to try and re-animate dead franchises.

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL

Original theatrical release poster

Oh boy, I had such fond memories of the classic Indiana Jones trilogy, and this one just ruined it… I remember being 7 years old and my buddy Malcolm and I watching The Last Crusade while eating chips and drinking pop out of shot glasses because we thought it made us look cool, I stand by our decision! I digress… The Last Crusade which was the final film in the original trilogy was released on May 24, 1989 and ended the original arc perfectly. Flash forward to 2008, when this trash heap of a film was released. It, like the previous trilogy were directed by Spielberg, but I feel like this one screamed of the studio wanting another film and Spielberg finally caving and giving them what they wanted so they would leave him alone. I’m not sure on this but that’s what I hope is true, otherwise I have no way to justify the film… It follows Jones and a young man named “Mutt” as they journey to Peru and the Amazon in search of the lost City of Akator and the fabled Crystal Skulls. Instead of the Nazis challenging Jones and his compatriots, as in the original films, this one takes place in the 80’s and thus the Soviets are the villains to constantly vex the heroes. It ends with them finding the city and placing the skull on one of 13 giant crystallized bodies. These bodies reanimate and then reveal themselves to be aliens, the aliens pull some fancy light show magic and disappear in their flying saucer, no joke. That’s how it ends.

Normally you can justify a film being bad because the script writing was terrible, or the CGI was overused and bad, the acting was terrible or even the final plot twist made no sense. Most movies have one to three of these issues, but this one… it hit all four right on their heads. Harrison Ford delivered a phoned in performance of Indiana Jones that showed he was just there for the pay cheque, much like his appearance in The Force Awakens. The rest of the cast was okay, Shia LeBeouf was over the top as always and Cate Blanchett just looked wierd as fuck as a Soviet with terrible bangs.. The dialogue was terrible and stilted, the CGI monkeys and scenery looks like they were ripped from a straight to video B-list action film, and aliens? really? Fantasy has a large place in the Indiana Jones films, I admit that, but aliens? In a world with the Ark of the Covenant as an example of divine power, and the Holy Grail being able to cure any wounds, why did you feel the need to include aliens? It just felt very out of place and once again screamed of Spielberg caving to studio pressure and pumping out a terrible film.

THE MUMMY

Original theatrical movie poster

No, I’m not talking about the classic 1999 Mummy movie starring the vastly underrated Brendan Fraser; I am referring to the shit show that was supposed to start the whole “Dark Universe” for Universal Studios. The Dark Universe was Universal Studios’ idea to try and compete with the gargantuan MCU and the floundering DCEU. Universal owns the rights to all the classic movie monsters and resolved to bring them all into a singular shared universe and then have some sort of a team up film? however that would work. Originally it was supposed to start off with 2014’s Dracula Untold which starred Luke Evans in the title role. Due to Dracula’s lackluster performance at the box office and it’s impression on the critics and fans they decided to start again fresh with The Mummy. Prior to the release of the movie Universal went ahead and cast every member of their Dark Universe to help strengthen their position as “having it all figured out”. Russel Crowe was cast as Dr. Jekyll/ Mr. Hyde, Javier bardem was cast as Frankenstein’s Monster, Johnny Depp was cast as the Invisible Man, and these characters would join Sofia Boutella who was cast as the Mummy. The glue to hold this universe together was going to be Tom Cruise who was cast as a man named Nick Morton, he first appeared in The Mummy film as the main protagonist but would act as the common thread that would tie the whole thing together.

Dark Universe cast announcement photo

The movie itself wasn’t as terrible as it was made out to be. The cast did well with what they were given, but the story just didn’t work. Not to mention the weird inclusion of Dr. Jekyll who has been hunting monsters and cataloging them throughout history? It did exactly the same thing as Batman V Superman and Justice League did, it tried to hard to build an entire connected universe right off the bat instead of letting it happen organically as they did with the MCU. Sofia Boutella delivered a good performance with the tools she was given but she acted far more like a demonic creature than a reanimated princess. Tom Cruise gave a varied performance where some it was authentic and real and other parts were corny and hamish. There were some nice Easter eggs to the 1999 film including the Book of the Dead in Jekyll’s library and the mummy making her face appear at the forefront of the sandstorm. The finale of the film provided Tom Cruise with the Godly powers of the Egyptian God Set and set him loose on the world. He resurrects his dead friend that he started the whole ordeal with and they start off on a new adventure in the deserts of the Middle East. Ultimately the film failed to deliver on its core premise of being an action thriller film and became more of a 2 hour long power point presentation to set up the universe as a whole.

HELLBOY

Hellboy (2019) theatrical poster

11%. The new Hellboy film by Lionsgate starring David Harbour in the title role has a whopping 11% on Rotten Tomatoes based on 33 different reviews. I am not one to put faith in Rotten Tomatoes as a whole, just because of how biased it can be, but this does not bode well for the reboot of Guillermo Del Toro’s great duology starring Ron Perlman. The film hasn’t released to the public yet so details on the plot are sparse, we do know that it centers on a Celtic witch played by Mila Jovovich and her attempts to gain power. Hellboy and the BPRD (Bureau of Paranormal Research and Defense) are tasked with stopping her. Many of the critics have sighted the incomprehensible story and the shoddy pacing as core reasons of the film’s lackluster performance. The studio went for an R rating and ramped up the gore, probably in an attempt to cash in on the success of Deadpool and Logan. Harbour’s performance has been praised by many but even his take on the character isn’t enough to save the film. This film was marred in controversy back in the casting stage when they cast Ed Skrein as Ben Daimio a rugged military member of the BPRD. When the character’s ethnicity was brought to light, the character being a Japanese-American, the film and casting team were slapped with a whitewashing tag. Within two days of the character’s ethnhicity coming to public knowledge, Skrein withdrew from the role and posted this statement on his Instagram and Twitter accounts:

Last week it was announced that I would be playing Major Ben Daimio in the upcoming HELLBOY reboot. I accepted the role unaware that the character in the original comics was of mixed Asian heritage. There has been intense conversation and understandable upset since that announcement and I must do what I feel is right.
It is clear that representing this character in a culturally accurate way holds significance for people, and that to neglect this responsibility would continue a worrying tendency to obscure ethnic minority stories and voices in the Arts. I feel it is important to honour and respect that. Therefore I have decided to step down so the role can be cast appropriately.
Representation of ethnic diversity is important, especially to me as I have a mixed heritage family. It is our responsibility to make moral decisions in difficult times and to give voice to inclusivity. It is my hope that one day these discussions will become less necessary and that we can help make equal representation in the Arts a reality.
I am sad to leave HELLBOY but if this decision brings us closer to that day, it is worth it. I hope it makes a difference.

With love and hope,

Ed Skrein

This move was praised by many for allowing someone of Asian heritage to portray the character in the film, a role that eventually went to Daniel Dae Kim (of Lost and Hawaii Five-O). Will this controversy contribute to it’s lackluster performance? Potentially. But more than likely, the reason behind it’s potential performance is that the target audience still feels robbed of the third film in De Toro’s trilogy that was scrapped in favour of the reboot. I know that I did really enjoy Del Toro’s films, even if the first time I saw the Golden Army in theatres I fell asleep… I had just got off a double shift at the base and was in a cold dark theatre in a comfy chair, sue me!

When I did see the whole thing through, it was very apparent that a third movie would be needed to round out the story and finish it on a great note. I, like many others, were super excited when a third Hellboy film was announced thinking it to be the great end to Perlman and Del Toro’s run, only to have our hopes dashed with the giant “Reboot” stamp slapped over it.

Like I said at the beginning, Hollywood has run out of ideas, like really run out. To the point that they’re going as far as to release the exact same movies as before just with the gender roles reversed. There’s so many things wrong with this approach that I can’t even begin to identify them all, but the main one is that they aren’t even giving women their own original stories. They’re just slapping a gender reverse on a movie they know did well in the past with a male lead just so they can say “we released a female led movie!” It’s insulting and shallow for studios to shove that crap down our throats rather than giving us meaningful new creative stories. Stop trying to cash in on popular 80’s film and TV shows and come up with some new ideas! Reboots and re-hashes are the bane of any movie goer’s existence. We’ve had 3 Hulks, 3 Spider-Men, 6 Batmen and 2 Supermen all in various reboots and re hashes of the same character. Honestly, how hard is it to come up with an original story? Not very. Hollywood needs to wake up and stop peddling the same shit over and over again. End of rant.

See you next week!

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Story – One Thing You Should Never Skimp On

For this week I decided to take all of my interests and try and condense it into a topic that covers everything, Story. A good story obviously has a lot of elements to engage the consumer and maintain their interest no matter the cost. I’m going to look at examples of my favourite entertainment mediums and highlight when stories have worked and when they’ve flopped. There are obviously exceptions to every rule but as a general stance, story is something you should never ever compromise. I’m going to highlight one failure and one major success for each category, let’s dive in…

GAMING

Oh gaming… I could write a full post about games that were supposed to be great and dropped the ball *cough* Anthem *cough*, but I’m going to focus on two games that I’ve played extensively, Witcher 3 and Destiny. First let’s look at the one that botched the story, Destiny.

DESTINY

The inaugural piece and focal point of Bungie’s deal with Activision/Blizzard (a deal that has since fallen through), really shit the bed on the whole story telling front. While you would play missions through the game, unless you were paying attention to the barely audible dialogue of your ghost (your companion), you missed everything. I know some players who played over 40 hours in the game and still can’t tell you what the main focus of the story was. It appeared that you were fighting the Fallen (aliens), only to switch and fight the Cabal (more aliens), then switch to the Hive (even more aliens) and finally end up killing a Vex God (another race of aliens). What made it worse was that the majority of the story and the background lore was only accessible through Grimoire Cards. You earned these cards by playing the game but had to go to the Destiny website to actually read them. Ya, you had to do homework to understand the story of the game… Not only did they botch the story, but the best part of it, the fact your Ghost was voiced by Peter Dinklage (of Game of Thrones fame), was removed in their first update! They took out Dinklage, due to scheduling conflicts with Game of Thrones, and brought in Nolan North! I mean, respect to Nolan North, he does some great work, but you don’t replace Dinklage with him. They also replaced Nathan Fillion with him as well! Fillion voiced Cayde-6 (one of the Vanguard Guardians, and my favourite character) and provided most of the humour for the game. In Destiny 2 he was replaced by North and then they just straight up killed him! I am not a happy camper about that…

Ghost from Destiny

WITCHER

It’s no big secret that I love the Witcher games. They’re expansive, lore filled, and actually follow a comprehensible story. From the first game that was released on the PC way back in 2007 to the Wild Hunt which was released in 2015 (now holding the most awards for any single game at 251) the story has continued to captivate audiences since its release. The main protagonist is Geralt of Rivia, a Witcher (Monster Hunter) and focuses on his various adventures detailing his exploits and his training and protection of Ciri, the daughter of the Emperor. Each game delivers a new and exciting story to the Witcher mythos and entices consumers to expand their knowledge on the subject by buying the graphic novels and original works by Andrzej Sapkowski. I remember seeing the trailer for Witcher II: Assassins of Kings, in a Gamestop with couple of friends during a trip to Kingston. As the TVs show a rotation of current and upcoming trailers, the trailer for Assassins of Kings came on and everyone stopped to watch. I do mean everyone. Myself and my friends, the employees, and the other patrons all stood stock still watching this trailer. I have never seen anything like that until the explosion of the MCU and their genius marketing campaigns. Here’s the trailer for your enjoyment:

FILM

Films are actually notorious for skimping on story for some big blockbuster action sequences. Films like the Michael Bay Transformers franchise beat this practice to death… Not all film franchises do this, but there are quite a few that fall into this practice.

JUSTICE LEAGUE

Justice League… oh what could’ve been if not for studio interference… I know I have praised this film before on this blog, but the nostalgia glasses were pulled off my eyes long ago and I have seen the light of truth… it’s a bad movie. Do I still like it? Yes, because liking something and it being considered “good” are not mutually exclusive. I LOVE the Marvel Ghost Rider films, are they bad? Obviously! But because of my love for the character I can look past it, the same thing can be said in the most part for Justice League. Here’s the problem with Justice League, the story makes no sense! Literally none. When WB got wind of Zack Snyder’s plan and his vision they got scared because of the lackluster performance of Batman V. Superman, and frankly, can you blame them? Zack was eventually removed from the project, whether by his own volition or the studio and him parting ways and Joss Whedon was brought in to revitalize the movie. People give Whedon a lot of flack for the film, and some of it is rightly placed, but he didn’t really alter the story at all. He added pretty much ALL the humour in the movie and added some more character interactions to make the League appear as more than just wooden and emotionless demi-gods. I have long said that WB and DC comics make movies for comic fans whereas Marvel makes comic movies for everyone. The main issue with not only Justice league, but Suicide Squad and Batman V. Superman is that DC assumed everybody knew the characters. Which a lot of people didn’t. The core characters obviously, but not the secondary and background ones that influence the plot. They assumed you knew the motivations and back story of all the characters and only chose to highlight the ones they deemed important. These large assumptions meant that the story was gutted and replaced with more action which is one of the MANY reasons the movie failed.

THE LORD OF THE RINGS

This is Peter Jackson’s crown jewel. The theatrical cut makes perfect sense and the extended cuts for the purists deliver all the extra content in spades. This is the ONE book to movie adaptation that nobody has any complaints about.

Perfection.

Enough said.

COMICS

CIVIL WAR II

Civil War II Issue #1 cover

I’ve already done an entire post on this run so I’m not going to dive to far into it. To be frank, it was really ridiculous and unnecessary. Marvel Comics and DC Comics seem to have this idea that there needs to be some sort of “event” or “crisis” every year to keep readers interested. I understand their thinking, but when you have so many events that you have to start putting “II” after it because you ran out of original ideas, it’s time to just take a bit of a break. The story line involves an Inhuman named Ulysses that can see the future. Nobody is sure how reliable his visions are but Captain Marvel and her side think that Ulysses’ visions are enough to warrant arrests and pre-emptive attacks; whereas Iron Man and his team want to test the reliability of the visions first and think the crime needs to be committed before the punishment can be dealt out. Captain America said it best in Captain America: Winter Soldier “I thought the punishment came after the crime?”Not only was it ridiculous, but the story line seemed to be there just to remove certain characters from continuity to make room for a more diverse line up. The original Civil War was probably Marvel’s best event and its ramifications can still be felt in the comics. This second one though, it was just a cheap sequel to try and cash in on the success of the first massive hit.

BATMAN: THE LONG HALLOWEEN

This masterpiece by comic legend, Jeph Leob, was released in 1996-1997 and still remains as one of the best Batman stories ever written. It starts on Halloween night and continues through all the major holidays as Batman races to solve the mystery before more people die. It introduces us to great characters like Calendar Man, and long time favourites like Catwoman, Joker, Harvey Dent and Jim Gordon. The iconic art style really helps to complete the story as told by Leob and immerse the reader in the tale. The story is not predictable and throws you for twists and turns as the victim pool grows. We are shown some iconic images from the Batman mythos and the descent of certain characters into madness. All in all it’s a gripping story that grabs your attention right away and refuses to let go. I found myself unable to put it down. I read the entire thing, all 13 issues, in a matter of hours and was floored by the ending. First and foremost, this is a mob story. The main characters are those of the Gotham crime families with Batman, the GCPD and other masked individuals scrambling to either pick up the pieces or get out of the way of the inevitable gang war. Leob weaves an intricate tale of deception and double crossing to deliver one of the most commercially and critically successful Batman stories of all time.

Batman: The Long Halloween massive print Paperback

Story is THE most integral part of any type of media. Movies, games, comics, even music; all tell a story and when you sacrifice that for some more flashy elements, your creation suffers. I wish some companies would realize this and stop putting out garbage products which serve no purpose other than to try and make them money. They can’t be proud of what they produce and as a fan I can probably say, the fans really aren’t either.

Until next week!

“Whatever It Takes” – Avengers Endgame

I spent a large portion of the week waffling over two separate ideas for this week’s post and then my oldest friend Malcolm sent me a golden nugget that I could use… the new Avengers Trailer! Now for those who haven’t seen it, this isn’t a regular teaser like the last one they published, with all the heroes looking defeated, this is a full blown trailer! Check it out below:

Oh boy! So many goodies! Let’s dive in!

THE TRAILER

This one like the previous teaser starts with an exposition by Tony as he drifts through space following the defeat of the Avengers on Titan. He reminisces about how everything started with him 10 years ago (which we now know is false, thanks Captain Marvel) and how it’s going to end with him alone in space. He expands on how he has let Pepper down and hoped he would be able to pull one last amazing surprise out of the bag for her (implying his evading certain death on multiple occasions), but this time he sadly won’t.

While this exposition is going on we are shown black and white shots of Tony after he crashed during his initial escape from the Ten Rings in Iron Man from 2008. The interesting thing is that despite the rest of the shot being black and white, every instance of red is vibrant to show a great contrast.

Black Widow and Ronin/Hawkeye

We switch perspectives to see Steve’s beginnings with Peggy Carter voicing over saying ” The World has changed… none of us can go back. All we can do is our best… and sometimes the best we can do is to start over”. We are then shown shots of Steve in a support group for survivors of the snappening and a nice wholesome shot of Clint Barton (Hawkeye/Ronin) teaching his daughter how to shoot an arrow like him. This is a great shot that further highlights Clint as a family man and a nice Easter Egg to female Hawkeye (Kate Bishop) in the current Marvel comics. The final shot of Steve’s sequence comes from Peggy’s funeral where he was a pallbearer. Again, with keeping in the theme of Tony’s exposition, it’s in all black and white except for the colour red on the flag draped over Peggy’s casket.

Hawkeye training his daughter

Thor’s exposition comes accompanying black and white shots of Asgard, his father and him, and him watching as the other heroes disintegrate following the snappening. The colour red is again amplified in the bleak black and white frames.

We shift back to Steve saying that he has been telling everyone they should move on, but then he finishes with saying “…some do, but not us”. The colour returns to the trailer to show him sitting at a table in Avengers HQ with Black Widow and Bruce Banner. We see Scott Lang standing in front of his ex wife’s/ daughter’s home which looks like it hasn’t been touched in a while and staring at some missing flyers posted to the telephone pole.

Widow delivers a great line saying ” Even if there’s a small chance, we owe this to everyone who is not in this room, to try.” We are shown some various scenes of the heroes looking angered and resolved that they are going to try to set things right.

Steve responds by saying “We will. Whatever it takes”; which is echoed by Widow, Hawkeye, and Tony voicing over shots of them each individually. The Avengers theme blares through the trailer as we finally see the Avengers walking through the hangar at the Avengers HQ wearing their white Quantum suits. Cue the title card! The purple Avengers symbol is now being put together as the title ‘Endgame’ appears in a flash of purple light.

The final shot of the trailer shows Thor walking up behind Captain Marvel, her turning around and standing her ground as he calls Stormbreaker to him. When she smirks at him as he stands there resting on his hammer he looks up to the others in the room and says “I like this one”.

MY THOUGHTS AND PREDICTIONS

Oh boy. This trailer gets me super excited to see this movie! Although, for the first time in a LONG time, I will not be able to see it opening night. I’m going to have to wait a full 4 days before I’ll be able to see it! I digress…

First thing that’s very evident from this and the previous teaser is that despite having lost everything the Avengers are not going to let this slide. That should be evident, because they’re the Avengers, but this shows that while they may accept that they finally lost a fight, the war is far from over.

Captain America in his Quantum suit with Nebula in background

It’s sad to think that this is going to be the last time we see the original Avengers on screen together. We know all of their contracts have officially run out. There may have been some back room extensions on certain contracts (Scar Jo and her Widow solo film), but Chris Evans has stated that he is officially done as Captain America. RDJ is amazing as Tony Stark but let’s be honest, Marvel can’t afford to keep him around much longer. We have Captain Marvel and Black Panther set to take over as the leaders of the team following the departure of the founding members. They will be joined by newcomers: Dr. Strange, Spider-Man, Scarlett Witch, Ant-Man, Vision and maybe Hulk will stick around.

One theme that is running throughout the Marvel comics is the belief that the Avengers are invincible. This belief is held by the population of Earth and even some of the Avengers themselves, that no matter what happened they will pull through because of who they are. The MCU has taken this concept and incorporated it into their version of the team.

Infinity War showed us that while they may be Gods among humankind, they are far from infallible. Thor’s hubris led to Loki’s invasion of Earth, Tony’s narcissism created Ultron and despite their best efforts, they could not stop Thanos from getting all the stones and causing the snappening. As I’ve said before, they may be down, but they are far from out.

Tony said it best in Avengers from 2012, ” You’re missing the point. There is no throne. There is no version of this where you come out on top. Maybe your army comes and maybe it’s too much for us, but it’s all on you. Because if we can’t protect the Earth, you can be damn well sure we’ll avenge it.

BONUS

Rocket and War Machine

My new favourite power couple from this trailer is Rocket and War Machine! I don’t know what they’re looking at in this scene, but if Rocket is smiling it’s either really really good or really really bad, there is no in between…

Avengers:Endgame is released on April 26, 2019. See you next week!

Gender Disparity In Comics – Why We Need More Female Characters

With the release of Captain Marvel this week, I thought it would be a good time to discuss a topic that has been a hot button issue for many fans over the years, female inclusion in comics. Both Marvel and DC have some great female characters that have become mainstays in their franchises; Wonder Woman, Harley Quinn, Captain Marvel, Squirrel Girl, Jessica Cruz Green Lantern and Thor (yes, Thor is a woman now) are all amazing female characters that have not really received their time in the spotlight. Wonder Woman received a phenomenal film directed by Patty Jenkins starring Gal Gadot; Harley Quinn was in the Suicide Squad portrayed by the amazing Margot Robbie; and now Captain Marvel is making her big screen debut starring Brie Larson. The only problem is that all of these films are very recent, as in within the past 6 years, which is a huge issue. There have been female led comic book movies in the past but they were few and far between and most were not well received. Women have been present in comics for decades and they’re only now being recognized as equal members of their respective universes? Why? I can’t answer for the past, but their modern inclusion has a lot to do with the movement of society to recognize women as equals. Which goes in part with the second (and probably the the bigger deciding factor, for studios at least) female heroes are becoming more and more popular, which in turn… means more money. And everyone loves money…

Captain Marvel – Carol Danvers

This week I’m going to dive into the evident lack of female characters and how that’s changing in big ways.

THE OLD DAYS

It’s not a secret as to what exactly female characters were used for in comics before the modern push of equality. With the exception of a few, like Wonder Woman or Susan Storm, they were mostly relegated into one of either two camps: 1. Eye candy for the male readers or 2. Love interests for the male superheroes. Let’s take a look at the DC Superheroine Power Girl as an example of the first camp.

Power Girl is a Kryptonian from an alternate reality. She is the cousin to Superman and goes by the name of Kara Zor-L. She is for all intents and purposes the alternate version of the main Earth Supergirl. She is known for having a busty figure along with a very skin tight, long sleeved unitard with a gaping hole on her chest. She first appeared in 1976 and was drawn by artist Wally Wood. When he first began work on her title, Wood was not happy with being relegated from a position he really wanted to work on Power Girl. He noticed that most of the editors weren’t even paying attention to the things he submitted, so he began to draw Power Girl with increasing cleavage size each issue to see how long it would take to get noticed. Power Girl grew in popularity and it took about 8 issues before someone finally commented on the size of her chest, at which point Wood stopped expanding her assets. She remained as her busty well known version for many years and became a sort of hallmark for female figures in comics. Eventually, in 1992 in an issue of Justice League Europe, Power Girl explains why she chose her revealing costume (the skin tight unitard with the “boob window”); she actually responded with a very body positive and progressive response “[It] shows what I am: female, healthy. If men want to degrade themselves by staring, that’s their problem, I’m not going to apologize for it. ” Despite some artists changing her costume and trying to draw her in more realistic proportions, the changes never seem to pan out. These changes are always met with criticism by fans and she’s always restored to her large chested unitard wearing self.

Power Girl – Classic costume

Any good story has a love interest, it’s a fact. The Godfather, Inception, Departed, Star Wars, Big Lebowski, even The Lion King all have love stories as apart of their overall narratives. Romance can help to serve as a resonant point for fans and allow them to connect to the material through either personal experiences or personal desires. The only issue with including romances in the likes of comics is that for a LONG time, most of the main characters were males. This didn’t automatically mean that all female characters have to be relegated to love interests, but looking at the demographic of the readers, they were. There are a lot of female comic fans, but the male readers far outweigh them and as such, the Publishers cater to the largest fan base. This meant having women with unrealistic body proportions relegated to love interests and damsels in distress. There is no one company that did this, Image, DC, Marvel, and Dark Horse are all guilty of the same thing. Sue Storm, Mary Jane Watson, Janet Van Dyne, Star Fire, Carol Ferris, even Lois Lane were all secondary characters that were meant to be love interests for their male hero counterparts despite being some of the smartest and strongest women in comics. Hell, Carol Ferris literally became a supervillain because of her love interest, Hal Jordan Green Lantern, and their on again off again romance. I’m all for a good love story if it’s done properly, but I’m not a fan of taking either established female heroes/characters or making new ones specifically to be a love interest. It’s 2019, come on.

LACK OF FEMALE CHARACTERS

Harley Quinn main title run

This goes hand in hand with the previous point of love interests. There was/is a disturbing lack of female characters in mainstream comics. For years, the only female member of the Justice League was Wonder Woman until they added Black Canary in 1969. Janet Van Dyne/Wasp was included in the initial roster of the Avengers but she was relegated to secondary fiddle to her husband, Hank Pym/Ant-Man. Now I will say that the Avengers did always include at least one if not two female members, but again, they VERY RARELY ever took center stage and were normally always tied up in some sort of love plot. One of the most popular female characters in modern comics, Harley Quinn, started as a sidekick/love interest to the Joker in the Batman Animated Series. Since her introduction in the show, she has grown massively in popularity and has her own comic line. As a former psychologist, her comics lean heavy into her battle with her own mental issues, her acknowledgement of these issues and her working to make herself healthy.

One of the major pushes in the last few years to bring gender equality into comics actually came from Marvel with their introduction of a female Thor. Thor Odinson, as an Asgardian, is veritably ageless, so the only way to have him stop being The God of Thunder was to kill him or have him lose his power. Marvel didn’t want to kill off one of their more powerful and popular characters, so they did what I think was the best thing, and had him lose his power. The inscription on his hammer reads “Whosoever holds this hammer, if he be worthy, shall possess the power of Thor”, and in support of the modern feminist movement had Jane Foster, Thor’s former lover and terminal cancer patient, pick the hammer up and assume the title of Thor God of Thunder. Thor has gone on to have some great adventures, was asked to join the Avengers, and even made the ultimate sacrifice to protect Midgard. She was since brought back by Unworthy Thor and Odin because they felt she deserved another chance.

Female Thor a.k.a. Jane Foster

As I said, there has been a large influx of prominent female characters in comics but they’re not all being given their own titles. Sure we have the staples like Harley Quinn, Wonder Woman, Captain Marvel, and Spider-Gwen; but most are still just background characters. In the MarvelNOW! publications, they had an amnesiac named Tamara Devoux assume the title of Captain Universe when the unipower made it’s way to her and chose her as its avatar. She had been in a coma for 10 years and had no memory of how she came to be in that state before becoming the embodiment of the universe itself. She became one of the most powerful forces in Marvel Comics and she wasn’t given her own title? Really? Come on…

BIG CHANGES

In recent years, major and independent comic companies alike have made a huge push for gender equality in their published works. While the top individual comic sales are predominantly male centered titles like: Batman, Action Comics, Amazing Spider-Man, Venom, and Return of Wolverine; the top 10 most purchased graphic novels and collections of 2018 feature a large amount of female led titles. Of the top 10 graphic novels in 2018, 5 of them featured women in lead roles. Saga, which earned itself 3 spots in the list is an epic space fantasy series published by Image Comics. In fact, all of the top graphic novels of 2018 are published from the same company, Image comics. Saga is the story of two characters on opposite sides of a galactic war that find love and risk all odds to raise a child that could end the conflict. It has received amazing reviews with Comixology giving it a 5/5 as well as Comicbook Roundup giving it a 9/10. It won a total of 13 awards from 2013 to 2018 with several others going to Fiona Staples for her artwork and to Brian K. Vaughan for his writing.

Saga vol. 1

Not only are we seeing more female led comic titles, but there are more and more female creators being added to existing titles as well. Creators like Kelly Thompson, Gail Simone, Seanan McGuire & Joëlle Jones are all making huge strides in the industry and delivering some great content that fans love. Margaret Stohl has been working on Captain Marvel since 2016 and her work has been regarded as some of the best the character has seen since G. Willow Wilson created her. Wilson is actually currently heading up the run of Wonder Woman for DC Comics and has been killing it with her stories in their Rebirth initiative.

For those who might not be interested in the print form, we are also seeing a large influx of female led movies and female created movies. Wonder Woman by Patty Jenkins was one of the best comic book movies in the past 10 years and her highly anticipated sequel should garner just as much praise. We are finally getting a Captain Marvel movie which releases tonight across North America starring Brie Larson who made news recently by calling for more equality in the interviewer selections by the press for their exclusive film interviews. We are also getting another addition to the DC Comics movie universe with Birds of Prey (And the Fantabulous Emancipation Of One Harley Quinn) which just finished principal photography and is going into full production mode very shortly.

New 52 Wonder Woman

Despite the strides studios have made recently, we are still a far way away from true equality in comics and comic media. We need to purchase more female led/created content so that the studios realize that that type of material is not only wanted, but highly sought after. Hopefully soon, we can get the studios to update their some of their archaic thinking and move towards the elimination of gender disparity in comics.

That’s all for this week! See you next week!

Aquaman – King of the DCEU

Last night I was out with a couple friends enjoying a double feature for one of their birthdays. We took in the new addition to the Transformers Franchise Bumblebee and the newest addition to the floundering DCEU, Aquaman. While I immensely enjoyed Bumblebee, it’s by far the BEST Transformers movie, I had a few more reservations for Aquaman. After the disappointing Justice League and the terrible Batman V. Superman, Wonder Woman was the only thing keeping the DCEU afloat, until the king of the seven seas arrived.

Directed by James Wan (of Saw fame), this movie was the first salvo in the soft reboot currently underway from Warner Brothers and their DCEU. This review will be spoiler free but I will discuss several key aspects of the film and their relation to the source material.

STORY

The first thing I have to say and it can be taken a slight negative for the film, the story is all over the place. While they make it work for the film, they basically took the first five collected issues of Aquaman’s New 52 comic run and made it into the plot for the film. The main pull is the Throne of Atlantis story line which has already been made into an animated feature as part of the DCAU (DC Animated Universe). The story centers around King Orm (Aquaman’s half brother) a full blooded Atlantean and his bid for the throne of Atlantis. Wan’s film is a very ‘Shakespearean’ tale of family betrayal and political trickery with a healthy dose of comedic undertones. Arthur Curry (Aquaman) fresh off his defeat of Steppenwolf with the Justice League has decided to become the unofficial protector of the seas. This brings him into conflict with a particular group of pirates. These pirates have been operating with maximum casualties for quite some time and Aquaman has had enough. Those familiar with the storyline for the Throne of Atlantis arc will be able to see what will happen before it does; however, Wan and co. have worked enough subplots into the mix to provide some surprising turns wherever they can.

Left: Nereus and Xebel Forces; Right: Orm and Atlantean Forces

CAST

Jason Momoa returns as Arthur Curry (Aquaman) for his second foray into the DC comics world. He builds on his persona established in the Justice League and we are shown his origins with a great exposition at the opening of the film. As the film progresses we are also shown why he holds Atlantis in such low regard and refuses to help them in any capacity. It allows for a great heroic origin as Arthur goes from occasional vigilante to the full blown hero we’ve been waiting for.

Amber Heard straight up knocks it out of the park as Mera. There is a particular scene in the middle section of the movie where you really get to see why Mera is such a respected warrior and queen in the comics. She brings a very authoritative quality to the role which helps to balance out Momoa’s ‘bro take’ on the classic clean cut Atlantean king. Her arc through the film is one we’ve seen before in plenty of other works; however, Heard makes it her own and shows that Mera is worthy of her own movie.

The standout star for me is Yahya Abdul-Mateen II as David Kane/Black Manta. At the beginning of the film we are shown a ruthless Kane as he and his pirate crew work to hijack a submarine. Through a turn of events he is left alone and blames Aquaman for it. This sets him on a path of revenge that has him crafting his Black Manta persona through the entirety of the film. When he finally confronts Arthur and Mera in Italy, he has emerged fully as the supervillain that has plagued Aquaman since his first appearance in Aquaman #35 from 1967. Abdul-Mateen II delivers a dark and gritty performance in an otherwise fairly light-hearted film which helps to cement Manta as someone who will continue to appear in future DC films.

Black Manta

Patrick Wilson gives us our main villain by his portrayal of King Orm/Ocean Master. A conflicted ruler who just wants to do right by his people, Wilson brings a certain gravitas to the role that helps to establish Orm as a force to be reckoned with. Wanting to preserve his people and their way of life he has grown tired of the mistreatment of the oceans by the surface world and he is through playing nice. Wilson’s protrayal of Orm helps to provide some sympathy for the young ruler but ultimately helps to give a villain you can’t help to love.

Other notable members of the cast are Nicole Kidman as Queen Atlanna, Willem Dafoe as Vulko, Dolph Lundgren as King Nereus and Temuera Morrison as Tom Curry.

CINEMATOGRAPHY

Despite 90% of the film taking place under water and in front of a green screen, Wan manages to deliver some stellar shots. One scene which appears to be a continuous shot (in the vein of the various Marvel Netflix series’), really showcases Wan’s keen eye. He created a living and breathing world at the bottom of the ocean that makes you believe in the might and magic of the fictional kingdom of Atlantis. As I said before in my review of Black Panther, I’m not a cinematographer and don’t pretend to be, but I can tell what shots look amazing and help to convey the emotion and feel of the scenes, and in that regard, Wan knocks it out of the park.

Amber Hear (Mera), James Wan (Director), Jason Momoa (Arthur Curry/Aquaman) and Willem Dafoe (Vulko)

COSTUMES

The costumes in this film were perfectly done. Each character has a costume that directly references back to their comic roots and helps to provide a great feel for the overall tone of the film. I was extremely giddy when Arthur finally dons his orange and green comic accurate costume at the climax of the film. Mera’s costume is a direct recreation of her comic source material and Orm/Ocean Master’s full purple and silver battle garb is a perfect counterbalance to Arthur’s orange and green. Black Manta and the Atlantean soldiers take the cake for costume design. Giving us a great armoured and vibrant colour scheme for the costumes of the Atlanteans, Kym Barrett, worked closely with Wan to bring his vision to life. Manta’s costume was heavily influenced by the source material while adding a very apparent Atlantean touch to it to provide a truly menacing character.

“The Trench” which are an ancient race of Atlanteans since mutated into a cross of humans and Angler Fish, were truly horrifying and provided some very terrifying scenes.

Trench Drone
Trench Swarm

MUSIC

The score for the film worked extremely well to create and translate the mood and feel from the shots to the viewers. There were a couple of misfires with some of the music, in particular a horrible cover of ‘Africa’. In a movie of fantastical underwater civilizations and wondrous technology, it felt out of place and a cheap way to bring a small laugh from the audience. With the exception of that small misstep the music fit the film really well and even the inclusion of a Greta Van Fleet chart topper worked to immerse the audience in the world of Aquaman.

ACTION

It’s hard for me to accurately describe the action in the film. It’s not that it wasn’t apparent or well done, it’s just that the majority of it was done using CGI. For obvious reasons they needed to use CGI to convey the 360 degree combat that the Atlanteans and the other kingdoms of the sea are fluent in, not to mention their amazing powers, it just left me a little wanting. The up close and personal action scenes with Arthur,Mera, Manta, the Atlanteans and Orm were very well done and choreographed, but they were few and far between. There is a big CGI slugfest of a fight at the climax of the film that delivers on the building tensions throughout the run time and showcases the various kingdoms of the sea beautifully. I’m not sure if Patrick Wilson and Jason Momoa went to trident combat training, or if there even is such a thing, but their work with those tridents is nothing short of mesmerizing.

Arthur and Orm before ‘Ring of Fire’

OVERALL

As someone who has seen every comic book movie to come out since the release of the Dark Knight in 2008, I can say that this is (in my opinion) the best DC movie since Nolan’s trilogy. While I did thoroughly enjoy Wonder Woman, the villain just didn’t capture me like Orm and Manta do. I love Gal Gadot and think she’s perfect for the role of Diana, but Momoa knocks this one out of the park. I would rate it as the top DCEU movie and overall I would give it a solid 9.0/10. Shazam and Wonder Woman 84 are going to have to really step their game up to even come close to this gem that Wan delivered. I highly recommend that if you’re a fan of the character or any of the cast listed that you go and see the film. If this is the first salvo in a new and improved DCEU, then the MCU could be getting a run for their money.

Aquaman movie poster

See you next time!

Godzilla: King of Monsters

Yesterday we were given another trailer for the upcoming monster mashup of Godzilla: King of The Monsters. It provided more exposition into the plot of the film and some more concrete shots of the kaiju that will be making an appearance in 2019. The first trailer was very cryptic and provided very little in ways of actual monster shots. The most standout piece of the first trailer was Charles Dance’s (of Game of Thrones fame) epic line “Long Live the King”.  This time instead of a very whispered “Let them Fight” from Ken Watanabe we get an equally as hushed “No.. we would be his” in what appears to be a testimony delivered before several senators. I will say this, epic one liners tend to be the bread and butter of this new “monster-verse” that Legendary Pictures has created.

For those who haven’t seen the trailer, check it out right here:

Instead of giving a rundown of the trailer, I’m going to give some slight background to the various Kaiju in the film. Let’s start with the boss himself/herself Godzilla.

GODZILLA

Godzilla 2014 movie poster

Along with the rest of the Kaiju for this film, Godzilla is dubbed a ‘Titan’. These Titans have existed on Earth since primordial times and have been responsible for keeping the planet spinning. As referenced in the first trailer there were several extinction level events that were halted or started (potentially) by these titans. in the first film we are told that the first sightings of Godzilla dated back to WWII specifically the Pacific campaign. We are told that the nuclear tests in the French Polynesian Pacific weren’t tests, and that in fact the government and military were attempting to kill Godzilla before it could cause any damage. In the first film Godzilla is noted to be exactly 100.8 meters tall (330.71 feet for Americans), which apart from the Netflix anime Godzilla, is the tallest one to date. Godzilla possesses the ability to swim and remain submerged for quite a long time. Extremely strong and quick thinking, Godzilla was coined the ‘King of the Monsters’ in several of Toho’s films as well as at the conclusion of the 2014 film Godzilla by Legendary Pictures. Godzilla’s ultimate attack is its Atomic Breath. This attack focuses atomic energy which is stored in Godzilla’s body releasing it in a blueish/white flame that has devastating power. The attack is preceded by the spines and fins on Godzilla’s back lighting up with the same blueish/white glow before the discharge. There’s not much that can be said for Godzilla that most people don’t already know. Having been around since the first film in 1954, Godzilla has become a pop culture icon and known by several generations of people the world over.

RODAN

Rodan concept art for upcoming Godzilla: King of The Monsters

Rodan first appeared in the 1956 film titled Rodan. His first appearance with Godzilla was in the 1964 film Ghidorah, the Three-Headed Monster, in every depiction Rodan resembles an irradiated Pteranodon. His original Japanese name ‘Radon’ is a contraction of Pteranodon and also represents the word radiation. As previously stated, Rodan resembles a large irradiated Pteranodon with a brownish/burgundy body, spiky chest and two or three horns atop the back his head. He has a large wingspan measuring between 150-200m (492.13 – 656.17 feet).  He has been shown to walk upright on his two hind legs. His legs end in powerful talons that are capable of grasping large heavy objects (like Godzilla) and holding onto them in flight. In Godzilla: King of Monsters, Rodan apparently lives in a volcano that goes by the name of Devil’s Nest somewhere in South America. His wings are so powerful that they create a whirlwind and back draft capable of wiping the earth clean in his wake. It is unclear if he will be an ally or enemy to Godzilla but lots of the footage from the first and second trailers shows the military actively trying to shoot Rodan down, with little success. I never watched any of the old films with Rodan but a giant flying dinosaur is okay in my books.

MOTHRA

Mothra mid dive

The third contender in the giant monster battle is none other than Mothra herself. Known also as ‘The Queen of Monsters’, Mothra is a Divine Moth and frequent ally of Godzilla. Typically cast as a heroic figure, Mothra is one of the few Kaiju that openly embraces humanity and tries to protect them. She resembles a colossal Imago Moth and has been known to reproduce offspring. Her wingspan in Lengendary’s Godzilla:King of Monsters is estimated to be roughly 244.75 meters (802.99 feet). Typically in the Toho universe, Mothra has resided on her own island but in Legendary’s universe they have marked her domain as the Yunnan Rainforest in the People’s Republic of China. A small blurb released as part of the marketing campaign for the movie has stated that ‘Mothra possesses the ability to emit beta wave bioluminescence that can be used to illuminate the patterns on her wings or focused in very powerful and blinding destructive ‘God Rays”. We are shown Mothra’s bioluminescence in the trailer as well as her in some sort of dive during a (presumed) climactic point in the film. Like Rodan I never watched any of the classic Mothra movies or even the older Godzilla films. I learned about her through pop culture and her inclusion in this upcoming film.

KING GHIDORAH

Ghidorah as he faces of against Godzilla in 2019’s Godzilla: King of The Monsters

Now, I’m going to be straight with you, a three headed flying dragon that shoots lightning…I would call him king as well. Traditionally Ghidorah was the main antagonist of Godzilla and various other Kaiju throughout history. He has had a couple different origins throughout his film run, most commonly he is an alien that travels the universe killing planets at his leisure; although, he has also been shown to be a fusion of three monsters called Dorats as a result of a future nuclear explosion. In his first appearance (and what appears to be similar to Legendary’s upcoming movie) Ghidorah arrived to earth in a meteor before his rampage across much of Japan.  Mothra attempted to stop him but was savagely beaten by the dragon, Godzilla and Rodan then allied together with Mothra and expelled Ghidorah from the planet. He is a massive creature. In Legendary’s Monster-verse, Ghidorah stands 158.8m (521 feet) tall and has roughly a 100-150m (328.08 – 492.13 feet) wingspan. In the trailers we are shown him frozen in a massive glacier which is where he must have been for the millions of years since the ‘Titans’ last walked the earth. In the film they will call him’Monster Zero’ but apparently they will address that ancient civilizations called him ‘Ghidorah’. It’s clear he is the main villain of the film as the second trailer shows him and Godzilla facing off against one another in a climactic battle sequence. 

PLOT PREDICTION

Based on what I’ve read and found out about the various Kaiju to make an appearance in the film, I think that while the earth will be facing an extinction level event that Ghidorah is going to be unleashed. The rest of the Titans will be attempting to use their powers to fix the extinction event and Ghidorah is going to show up and just muck everything up. Initially Rodan will be an antagonist but once Ghidorah shows up he’ll ally with Godzilla and Mothra to take on the bigger threat. We are shown a brief clip in the trailer that shows several squadrons of fighter jets over Washington airspace. In the clouds you can make out the image of Rodan as well as the massive image of Ghidorah when the lightning strikes illuminating the clouds. Ultimately I don’t really care for a plot or storyline, I just wanna see some giant monster beat downs!

Due out on May 31, 2019, this epic film is going to set the stage for the next film Kong v. Godzilla in 2020!

Godzilla’s Atomic Breath in action

Avengers: Endgame – Trailer Breakdown & Plot Prediction

Earlier this morning we were gifted with an early Christmas present, the new Avengers trailer! Originally it was supposed to be released on Wednesday earlier this week; however, due to the untimely death of past President George H. W. Bush, it was pushed to today to accommodate his televised funeral service in Washington. I was not familiar with his policies and and acts as president of the United States  but from what I understand he did a lot of good for the country and he will be sorely missed.

Onto the trailer!

Ever since the ‘snappening’ at the end of Infinity War, fans have been speculating as to what will happen to the defeated team. With Ant-Man and the Wasp, we were shown a probable solution to the Avengers’ problem of dealing with a fully powered Thanos with all the Infinity stones, Quantum Time Wells. In the post-credit sequence of Ant-Man and the Wasp, original Wasp (Janet Van Dyne) was coaching Scott on what to look for in the Quantum Realm. One of the anomalies that she cautions against is Quantum Time Wells, which (I think) is how the Avengers are more than likely going to beat Thanos. 

Let’s breakdown the trailer…

We start with a lonely Tony recording a voice message in hopes that Pepper will one day see it and know that in his last moments he will be thinking about her. He states that his oxygen will run out by the next day and power a few days after that, but he wants her to know that in his final days she was all he could think about. Which shows a lot of personal growth for Tony, ever since we were first introduced to him in 2008’s Iron Man he has been a fairly narcissistic person. Pepper was the one person that he could care about and who he wanted above all to protect. 

Tony recording the message for Pepper

The title card for Marvel Studios got a bit of a redo since the ‘snappening’ and now shows the title discarding into dust much like some of the heroes did after the snap.

We are shown Thanos’ armour arranged on a stand to represent a scarecrow as Thanos walks through a field of alien plants still wearing the damaged gauntlet. Apparently after Thanos murders half of the life in the universe he decided to become a farmer?

Thanos scarecrow

We are shown some exterior shots of the Avengers compound while Widow is summarizing what Thanos did to a startled Bruce Banner. We see a shot of a now beardless and groomed Cap shedding a tear for either Bucky or his friends and allies. Banner is amazed at everything that happened and see all the people they lost as their faces begin rotating through a wheel on the holo-screen in front of him.

Cap sheds a tear for the fallen

We get a shot of the empty Avengers compound and then more shots of the survivors from the ‘snappening’ as they mourn their friends and loved ones. We get a nice voice over from Captain America as he states that they all lost someone either friends or family and that they all lost part of themselves when it happened. 

Ronin

We cut to a shot of a hooded figure cleaning a bloody sword on their sleeve while Widow watches in a town somewhere in Asia. The figure removes their hood and mask to reveal Clint Barton who has adopted his Ronin alias. Cap’s voice over then says “This is the fight of our lives” as we see him looking at the picture of Peggy Carter he keeps in his compass. Inside of a Quinjet, Widow turns to him and says that their plan will work while Steve says ” I know it will, because I don’t know what I’m going to do if it doesn’t”.

Cap in Quinjet

We then get the title card for the movie where the avengers “A” is being put back together from broken stone on a purple background. The Avengers title appears on the screen with the subtitle “Endgame” appearing out of a purple flash. The final shot of the trailer shows us Scott Lang arriving at the Avengers compound and talking to the security camera asking to be let in. He introduces himself as Ant-Man and that they would remember him from the airport in Germany. Cap stands up with a determined look in his eyes asking if it’s an old message with Widow stating “No, this is at the front gate”. We then get a purple title card stating April 2019 with the ‘A’ in April as the Avengers ‘A’. 

April 2019

My prediction of the plot is as follows:
Scott Lang arrives along with Clint who has assumed the Ronin persona to the Avengers compound where Captain America and Black Widow are thinking up a counterattack. He explains how everyone (Hank, Hope & Janet) were wiped out and he needs to get them back. Cap and Widow will then explain what happened with Thanos and they will take some time coming up with a plan.
Tony is floating in space in the Milano (Peter’s ship from Guardians of the Galaxy) but without any fuel or knowledge of how the hip works/to fix it, he is set to drift in the void between Titan and Earth. He will be found by Captain Marvel who is answering Fury’s call from the post-credit scene in Infinity War. They return to Earth where the remaining Avengers and those that survived the ‘snappening’ are formulating their plan. 
Thanos is a farmer? and he is happy at what he has down knowing the universe will spin on. Though he knows something isn’t quite right.
The remaining Avengers decide to use Quantum Time Vortexes to go back in time to the battle of New York from the first Avengers film. Tony poses as a SHIELD security agent in order to help break Loki out so he can tell them where Thanos is. The original avengers and the new squad ally together during the battle of New York. The new squad are responsible for protecting the city while the original crew head through the wormhole to confront Thanos on the Chitauri station when he doesn’t have any of the stones.
In the climactic battle the portal will need to be closed . The original crew will still be fighting Thanos and they’ll make the sacrifice to hold the line while the new squad closes the portal to Earth, stranding them in Chitauri space. Cap and Tony will make a final stand against Thanos with both dying in the fight. With Thanos being defeated and not lasting to get both the power and space stones, the other stones are then returned to their rightful places and the timeline is reset. 

There you have it! My breakdown of the trailer and my prediction of the plot. I am super excited for this film and hope that it’s going to be even better than Infinity War was! See you next time!